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We all have a superhero inside us, it just takes a bit of magic to bring it out. In Billy Batson’s case, by shouting out one word – SHAZAM! – this streetwise fourteen-year-old foster kid can turn into the adult superhero Shazam.
“Widescreen” refers to a larger width to height in the frame, compared to earlier historic aspect ratios. A “feature-length film”, or “feature film”, is of a conventional full length, usually 60 Shazam! minutes or more, and can commercially stand by itself without other films in a ticketed screening.
A “short” is a film that is not as long as a feature-length film, Shazam! often screened with other shorts, or preceding a feature-length film. An “independent” is a film made outside the conventional film industry.
In US usage, one talks of a “screening” or “projection” Shazam! of a movie or video on a screen at a public or private “theater.” In British English, a “film showing” happens at a cinema (never a “theatre”, which is a Shazam! different medium and place altogether). A cinema usually refers to an arena designed specifically to exhibit films, where the screen is affixed to a wall, while a theater usually refers Shazam! to a place where live, non-recorded action or combination thereof
occurs from a podium or other type of stage, including the amphitheater.
Theaters can still screen movies in them, though Shazam! the theater would be retrofitted to do so. One might propose “going to the cinema” when referring to the activity, or sometimes “to the pictures” in British English, whereas the Shazam! US expression is usually “going to the movies.” A cinema usually shows a mass-marketed movie using a front-projection screen process with either a film projector or, more recently, with a Shazam! digital projector. Cinematography can begin with digital image sensor or rolls of film. Advancements in film emulsion and grain structure provided a wide range of available film stocks. The selection Shazam! of a film stock is one of the first decisions made in preparing a typical film production.
Lenses can be attached to the camera to give a certain look, feel, or Shazam! effect by focus, color, etc.
As does the human eye, the camera creates perspective and spatial relations with the rest of
the world. However, unlike one’s eye, a cinematographer can select Shazam! different lenses for different purposes
Cinematography can not only depict a moving subject but can use a camera, which represents the audience’s viewpoint or perspective, that moves during the course of Shazam! filming. This movement plays a considerable role in the emotional language of film images and the audience’s emotional reaction to the action. Shazam! Shazam! Shazam! Shazam!
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